I'm a Shooting PD with a background across OBS-DOC, BLUELIGHTS, ACCESS DOCS and FACT ENT, and pride myself on being able to building strong and enjoyable working relationships with the contributors I follow. I'm experienced in fast-paced, dynamic, run-and-gun shooting scenarios and know what is needed, visually and editorially to tell compelling st... Read More

I'm a Shooting PD with a background across OBS-DOC, BLUELIGHTS, ACCESS DOCS and FACT ENT, and pride myself on being able to building strong and enjoyable working relationships with the contributors I follow. I'm experienced in fast-paced, dynamic, run-and-gun shooting scenarios and know what is needed, visually and editorially to tell compelling stories well. But also enjoy shooting slower-paced high-end and emotive documentary films and stories.

I'm a strong shooter (FX9, FX6, FS7, OSMO, GOPRO) with a bold style and the ability to producer, direct and capture natural sequences, actuality, interviews and GVs, with visual flair, to fit the series aesthetic. I'm confident shooting on both primes and zoom lenses, and confident in setting up complex multi camera go pro rigs. 

I'm story-minded, have strong obs-doc editorial sensibilities, and can follow stories with nuance and produce content in sensitive situations. I have a good handle across police and medical compliance, and the ability to build strong and dynamic working relationships with institutions and contributors to make the very most of our access.

I also have experience on international shoots, and filming in harsh and remote environments. I have extensive experience setting up complex interior / exterior multi-camera GOPRO rigs in emergency vehicles, cars and heavy machinery. As well as experience using DJI OSMO gimbals for tracking shots lifts and moves.

In forward planning, I'm experienced in setting up complex multi-location multi-camera shoots in the UK and overseas - including negotiating tricky access to well known institutions, casting experts and contributors. Read Less